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Accent aigu

S. 11

To forget history you first have to have known history; and such

knowledge depends on having access to objective interpretation of

historical facts by well-informed mediators - journalists, writers,

teachers, historians. The experts, in turn, need truthful and objecti-

ve accounts of events; the quality of their work will then depend on

their ability to assess, without ideological or other bias, the politi-

cal, socio-economic and cultural background of those events, the

rivalries and alliances, the hidden agendas and power games; to

perceive cause and effect, evolutions and trends, the overarching

narrative. Such deeper understanding requires the long view that

comes with the passing of time: one thinks of the much-quoted

(and possibly misunderstood) remark of Chinese Premier, Zhou

Enlai in 1972. Asked to comment on the effects of the French Re-

volution, he replied that it was „too early to tell“.

Understanding history relies on the accuracy of the primary sour-

ces. Have events ever been reported with total truth and objectivi-

ty? Ever since humans began writing down their story, they have

recorded events from a local or regional perspective, co-opting

them for the causes of cultural identity or political interest. Hero-

dotus, the „Father of History“ narrated the early fifth-century Per-

sianWars from the Greek point of view, and this is the story we stu-

dy in Europe; we do not know how true his version was and have

little idea how the wars felt for the Persians. Many periods of an-

cient or distant history pass beyond the reach of knowledge – un-

less chance throws a sudden spotlight on them, as when the skele-

ton of King Richard III of England was recently discovered buried

underneath a car park in Leicester. (He suffered from scoliosis but

was not the „crookback Dick“ of popular imagination).

Truth about history can also fall victim to the subjectivity or poor

memory of contemporary witnesses. Or be deliberately manipula-

ted by media controlled by power with a political agenda.

George Orwell fought for the Republic in the Spanish Civil War

and was an objective observer - as his writings on other subjects

make clear. Orwell had few illusions as to the accuracy of most

journalism, but he was marked for life by the extent to which

Franco’s Fascists and their Nazi allies did not merely distort events

for tactical reasons but invented a totally fictional narrative. In

„Looking Back on the Spanish War“ (1942), he wrote: „In Spain,

for the first time, I saw newspaper reports which did not bear any

relation to the facts, not even the relationship which is implied in

an ordinary lie. I saw great battles reported where there had been

no fighting, and complete silence where hundreds of men had been

killed. (…) I saw, in fact, history being written not in terms of what

happened but of what ought to have happened according to vario-

us ’party lines‘“. He concludes: „I am willing to believe that history

is for the most part inaccurate and biased, but what is peculiar to

our own age is the abandonment of the idea that history

could

be

truthfully written.“ He takes this insight to its logical conclusion in

„Nineteen Eighty-Four“ (1949), where the totalitarian government

rewrites history on a daily basis and strips language to the bone,

making it incapable of expressing doubt, let alone protest. History

(re)written by the victors.

Orwell was writing in an age of totalitarianism but things have

not changed fundamentally. The „victors“ still write history. We

live in an age of extreme news management, spin-doctored images

and manipulated perception of world events (it would be interes-

ting to compare how the war in Syria is reported in different coun-

tries). Today’s dictators may not rant and strut the global stage as

did the Francos and Hitlers of the mid-twentieth century but they

direct from the wings - and are just as implacable about what

events get written about and how. Commentators who try to report

truths that don’t suit them live dangerously.

Despite all this, we ordinary citizens, though we should remain

alert and critical, need not totally despair. Important documents

are becoming available and young open-minded historians emer-

ging to research them. There is a salutary reassessment of much re-

cent history: European nations that have preferred a simple, more

„heroic“ narrative of their role in World War Two, for instance,

seem less unwilling to accept the complex human truth.

Specialized tribunals and official enquiries have been set up to

investigate war crimes; unofficial whistleblowers leak revelatory

documents that multinational interest would have preferred to

keep secret: we are coming closer to knowing some truth about so-

me chapters at least of our history. Also positive is the revival of pu-

blic interest in history, largely fed by the novels, films and TV series

of popular culture. Although these offer an openly fictionalised

version of history, they may incite some to study the subject and be-

come the historians of the future.

The future…You don’t have to be a historian to spot the parallels

between Europe of the 1930s and today: inequality, disaffection,

unemployment; the (ir)resistible rise of far right and populist

groups, fanning fears and preaching hatred and division. But there

are also important differences: technology, communications, glo-

balisation…and, despite its shameful failings, our battered EU.

Some people think we’re heading for another European war. But

do the multinationals and moneymen wielding power today really

want, or need, a war in Europe?

In the air

Known unknowns

Ariel Wagner-Parker

Forgetting history condemns us to reliving history, so goes

the saying - and there is undoubtedly some truth in it. But

the question is complex.

Heroditus, the Father of History